The 12 new compositions were pre-recorded in both audio-visual form and with motion capture, capturing not only the sound but also the physical gestures of the performers. This data became the foundation for a dynamic ‘forest’ of mutable visual forms and sounds that surrounded the live musicians. At different moments in the performance, these musicians re-entered the work—sometimes performing the pieces in full, other times presenting altered or fragmented versions across multiple stages in the space.

The compositions were carefully analyzed and enriched with detailed metadata, which served as the basis for the algorithms driving the piece. These algorithms continually sorted, recombined, and transformed the recorded material, generating countless variations and immersing the audience in an ever-shifting audiovisual environment.